https://i.guim.co.uk/img/media/dd0c8719f470e9b7bb0d6fa5c855781a6babfb38/72_565_3232_1939/master/3232.jpg?width=1900&quality=45&auto=format&fit=max&dpr=2&s=1760efbd2540f69b5f23e55dfec949cf

Sir Ronald Harwood – a life in pictures

Sir Ronald Harwood, the playwright and screenwriter best known for The Dresser and his Oscar-winning script for The Pianist, has died aged 85

https://i.guim.co.uk/img/media/51710c7608724c3d53812e7a4431b4e319a99635/0_0_3078_2027/master/3078.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=4695e9a3451c152ce4543fa2e01bdc6e

Adrien Brody in The Pianist, directed by Roman Polanski. For his screenplay, Harwood adapted the memoir of Władysław Szpilman.

Photograph: Dreamworks/Sportsphoto Ltd/Allstar

https://i.guim.co.uk/img/media/d06c35e207161c1eccf9f18336a1e999f397a0e3/0_0_2075_3000/master/2075.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=ba87a3536c23b112a78c87610990bc56

Harwood with his best adapted screenplay award for The Pianist at the Oscars in 2003.

Photograph: Frank Micelotta/Getty Images

https://i.guim.co.uk/img/media/457b1eaa2f5585c53d5e41a0035ab3c4fa4f9a0c/0_0_3536_5155/master/3536.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=7007766f64ace8b97c720fbd50ca4844

Tom Courtenay and Freddie Jones in Harwood’s best known play, The Dresser, at the Queen’s theatre, London, 1980. The play explores the relationship between an actor and his personal assistant.

Photograph: Alastair Muir/Rex/Shutterstock

https://i.guim.co.uk/img/media/8ac1dc9e7511f8a4cc42717df99480f5b35b5cec/0_0_4020_2888/master/4020.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=3789ff80a803bc0e24c78404b919c517

Monique Chaumette and Jacques Francois in a French production of The Dresser, directed by Stephan Meldegg in Paris in 1980.

Photograph: Boris Lipnitzki/Roger Viollet/Getty Images

https://i.guim.co.uk/img/media/9e1b5e9ba081e29e21fb9f9efa2d373d6debc89f/0_0_3211_2115/master/3211.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=01230d02fc08c2cabc69dbd0d12458d6

Sara Kestelman and Janet Suzman in Another Time by Ronald Harwood at Wyndham’s theatre, London, in 1989.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/8b26607818a74abc44cd0997d27fe6660f2b820d/0_0_2074_3110/master/2074.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=3115cbda4f75bfd027dde0dc0b35f8d7

Stephen Moore and Albert Finney in Reflected Glory at the Vaudeville theatre, directed by Elijah Moshinsky, in 1992.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/516d1239dd436c78126572594f4bbecd6de17d7e/0_0_5456_3556/master/5456.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=afbf5fa4da4bf13eb93bc08608c194b0

Michel Bouquet and Claude Brasseur in a 1999 French production of Taking Sides, Harwood’s play about the denazification investigation of German composer and conductor Wilhelm Furtwängler.

Photograph: Bruno Bachelet/Getty Images

https://i.guim.co.uk/img/media/7142d9f2c7fd96885c80e4fb4bdd8df8f6c57653/0_0_2832_4256/master/2832.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=d628164d084922468b60798e98ee7f22

Michael Pennington as Furtwängler in Taking Sides at the Minerva, Chichester, in 2008.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/db1f199cbd79a35032f9a4b3206819cf0c47206e/0_0_4256_2832/master/4256.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=3dec218cd0d514733a9122e9c8f14f1e

Collaboration is a companion piece to Taking Sides. David Horovitch, Sophie Roberts, Isla Blair and Michael Pennington starred in the 2008 Minerva production.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/a5018c075b25a92cc2a0578546c42ae416140926/0_0_1708_2600/master/1708.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=21fa5365f42ed2711adf8fcd0f00ce86

In 2008, Harwood won a Bafta award for best adapted screenplay for The Diving Bell and the Butterfly, based on Jean-Dominique Bauby’s memoir about living with locked-in syndrome.

Photograph: Joel Ryan/PA

https://i.guim.co.uk/img/media/73ef050aa661b1a39b0388b7c76617a64b999e42/0_0_2178_3000/master/2178.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=f922da5477ef8f9108cc7cd6e23ff478

Harwood and his wife, Natasha, at the Oscars in 2008.

Photograph: Jeff Kravitz/FilmMagic

https://i.guim.co.uk/img/media/1bf3b1b97398d25827e73122b4936bee1dff200f/0_0_3117_2256/master/3117.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=c495342e4f96692e540497b171417ecb

Harwood was knighted in 2011.

Photograph: WPA/Getty Images

https://i.guim.co.uk/img/media/d3247b9bee71f8b779ff28b090de86f79c7f9ce3/0_0_5331_3761/master/5331.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=1742ee66ca3b4fd1ba239276fccdbea4

Nick Stringer, Frank Finlay, Kate Lynn-Evans and Hugh Bonneville in The Handyman at Chichester Festival theatre in 1996.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/e382159c027538c0cefadac0a8444f70d78fb683/0_0_2037_1397/master/2037.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=594d9283ad29f0cea94c971d42705b56

Quartet, set in a home for retired opera singers, starred Alec McCowen, Angela Thorne, Donald Sinden and Stephanie Cole at the Albery, London, in 1999.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/da8607d19c08c5c18881a6e80ee73f5d7407bde2/0_0_2464_1648/master/2464.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=9ef9eba3a54901e608c1de6dba933ae6

Patsy Kensit and Ardal O’Hanlon in Harwood’s comedy See You Next Tuesday at the Albery in 2003.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/0c0bd191dc275edcbde6890be2b72d985c35cf15/0_109_2264_1358/master/2264.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=04a1de000fe2882a011f422b6d685fa6

Mahler’s Conversion starred Antony Sher as the composer at the Aldwych, London, in 2001.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/987afa5ef947b854f5593d95e1ea58ef97e53533/0_0_4353_2885/master/4353.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=43928a4121d25fb2baf4edcd6d647a11

The Dresser became a BBC drama in 2015. Harwood, centre, poses with the stars Ian McKellen, Emily Watson, Vanessa Kirby and Edward Fox.

Photograph: Geoff Pugh/REX/Shutterstock

https://i.guim.co.uk/img/media/8b940aa9986678ba6523e870784fd13197b95470/0_0_4745_3332/master/4745.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=eb0603704bed8677240627a53fa69dc6

Reece Shearsmith as Norman and Ken Stott as Sir in Sean Foley’s acclaimed revival of The Dresser at the Duke of York’s in London in 2016.

Photograph: Tristram Kenton/The Guardian

https://i.guim.co.uk/img/media/55739c35679f32f7473a550e37690b5232d892a1/0_0_4668_3267/master/4668.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=ba5fa28f69ffca056b258bb6893b9302

Shearsmith, Foley, Harwood and Stott at the press-night party for The Dresser in 2016.

Photograph: David M Benett/Getty Images

https://i.guim.co.uk/img/media/5df3db1c1168b5741a61f262f0aeafd0bd39dcda/0_0_3000_1801/master/3000.jpg?width=1010&quality=45&auto=format&fit=max&dpr=2&s=ba240e31c013605e2b24c4829bb90e32

Harwood died on 8 September at his home in Sussex. Among those paying tribute was Gyles Brandreth, who said he was ‘full of heart, humanity, wit and high intelligence’.

Photograph: Mark Mainz/Getty Images for AFI